Interweavings

Interwoven — 縄文の手 (Jōmon no Te)

A collection inspired by ancient Japanese pottery

This collection was born at a time when I needed to slow down. Working calmly, with my hands, helped me listen to what was inside. Each piece was shaped by me using the coil-building technique, which has been used for thousands of years in Japan, during the Jōmon period. It's a way of working that asks for patience, repetition, and presence.

The name “Interwoven” came from what I felt during the process — each coil of clay connecting to the next, each gesture flowing into another. It felt like I was stitching memories, feelings, and days together. The first piece in this collection was a big challenge for me. I took my time. I started over. I got frustrated… but I kept going. The footage shows the final part of the process, recorded in the studio, unedited, just as it happened. Each piece has its own story. But they all carry the same spirit: respecting time. The time of the clay. The time of the hands. The time within.

Technique: coil building (hand-rolled clay) 
São Bernardo do Campo / Brazil

More pieces are coming.
If you’d like to follow the process, visit: www.renatacatena.art.br

By admin, 19 June, 2025

Before shaping my first large piece, I had already made more than 200 small ones. Cups, small plates, ornaments. Pieces made slowly, one by one, learning along the way.

I keep them all with care. They are part of my beginning.

It was in the studio of my teacher, Magali Ercolin, that something changed.

One day she showed me a book that was there among the materials, almost as if it had been waiting to be found.

The book is called:

「手びねりでつくる食の器」
(Tableware made with hand-building techniques)

By admin, 31 May, 2025

Inspired by the Japanese coil-building technique, this vase was built by hand, layer by layer.

The idea came up in the studio of my teacher, Magali Ercolin. One day she showed me a book written entirely in Japanese. I could not understand a single word, but I was captivated by the images.

The book showed ceramics from the Jōmon period, an ancestral Japanese style that goes back more than 10,000 years. The pieces had free, intertwined forms, almost alive.