Between Gesture and Silence
Before shaping my first large piece, I had already made over 200 small ones — cups, plates, ornaments — created slowly, one by one, while learning. I keep them all with care, as they’re part of my beginning. But it was still a quiet, delicate start — a time of experimentation.
Something changed in the studio of my teacher, Magali Ercolin. One day, she showed me a book. It was there, among the materials, as if waiting to be found. And it was.